Mark: $12.21
| Situation: |
Mark New: A brand new, unread, unused book in perfect condition without a lacking or broken pages. See the vendor’s |
Layout: | Paperback |
| Language: | English | Newsletter Year: | 2004 |
| ISBN: |
9780826415493 |
EAN: |
9780826415493 |
| Product Knowledge | |
| 33 1/3 is a new sequence of short books about seriously acclaimed and far-loved albums of the closing 40 years. Specializing in one album pretty than an artist’s entire output, the books dispense with the frequent biographical background that followers know already, and prick to the heart of the music on each album. The authors provide new, long-established views – in most cases by plot of their entry to and relationships with doubtlessly the most critical figures inquisitive about the recording of these albums. By turns obsessive, passionate, creative, and suggested, the books in this sequence show many change ways of writing about music. (A process which would perhaps even be, as Elvis Costello famously noticed, as complex as dancing about structure.) What binds this sequence together, and what brings it to life, is that all of the authors – musicians, scholars, and writers – are deeply in luxuriate in with the album they’ve chosen. | |
| Product Identifiers | |
| Publisher | Bloomsbury Tutorial & Professional |
| ISBN-10 | 0826415490 |
| ISBN-13 | 9780826415493 |
| eBay Product ID (ePID) | 2888339 |
| Product Key Parts | |
| Layout | Paperback |
| Newsletter Year | 2004 |
| Language | English |
| Dimensions | |
| Weight | 4.2 Oz |
| Width | 4.7in. |
| Height | 0.4in. |
| Size | 6.5in. |
| Extra Product Parts | |
| Dewey Model | 22 |
| Dewey Decimal | 782.4216609 |
| Sequence | 33 1/3 |
| Copyright Date | 2004 |
| Author | Chris Ott |
| Different of Pages | 136 Pages |
| Lc Classification Number | Ml421.J696o88 2004 |
| Newsletter Date | 2004-03-31 |
| Reports | SCompelling and so despairing that at one point I needed to forestall studying it for a puny bit. “Different Weekly, 6/10/04, “Although the recording of the album is naturally the centerpiece of the book, (Ott) delves sufficient into the evolution of the band and background events leading as much as the recording of mentioned album (to boot to definite post-album events leading as much as Ian’s suicide) to well provide context for mentioned rekkid….you do now not wish to be a typical gear-rag reader to realize what he’s speaking about….total beneficial.” David Hill, Shredded Paper Magazine, Descend 2004 situation, SJoy Division “s gestation duration is competently recounted within the yarn and each critical individual is handled pretty. At the side of Hannett and Wilson. Ott “s plot and reaction to his field is commendably unflinching. Effectively written. “ Jason Dropor, File Collector, October 2004, Chris Ott writes in regards to the yarn with a frigid elegance that evokes the austerity of the music itself. The Boston Phoenix, 7/8/04, “New followers will salvage it to be a precious introduction to the band as it particulars their legend from the very origin to the tragic end. Even the more dedicated fan would possibly perhaps well be in studying another individual’s opinions in regards to the numerous songs, the importance of JD’s music, and why the band aloof performs a extraordinarily critical role within the history of change music.” -Pleasure Division net recount, 5/24/04, “Pleasure Division’s gestation duration is competently recounted within the yarn and each critical individual is handled pretty. At the side of Hannett and Wilson. Ott’s plot and reaction to his field is commendably unflinching. Effectively written.” – Jason Dropor, File Collector, October 2004, Compelling and so despairing that at one point I needed to forestall studying it for a puny bit. Different Weekly, 6/10/04, SChris Ott writes in regards to the yarn with a frigid elegance that evokes the austerity of the music itself. “The Boston Phoenix, 7/8/04, “As soon as Ott forgoes the information and gives in to his ardour, he brings the reader closer to the band’s ‘unparalleled gravity and grandeur.'” –San Francisco Bay Guardian, 5/19/04, “Throwing format to the wind, “Pleasures” goes to town on the ban’s entire oeuvre. Ott is admiring, however his luxuriate in for the personnel would now not support him from letting them appreciate the idiot when relevant–and or no longer it’s his manner into the head of bandleader Ian Curtis, who would possibly perhaps well enjoy survifed his all-sizable-artists-die-younger illusions if some concrete afflictions (epilepsy and the treatment required to tame it, for occasion) did now not piggyback onto the ones he invented for himself. A-” –Austin American-Statesman, 10/17/04 |
| Lccn | 2003-027593 |
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