Label: $44.98
| Situation: |
Keep Contemporary: A singular, unread, unused ebook in ultimate condition and not using a lacking or broken pages. Understand the seller’s |
Newsletter Year: | 2014 |
| Structure: | Hardcover | Language: | English |
| Yarn Value: | Sinecure Books | ISBN: |
9781938265105 |
| Synopsis | |
| Glen Lockett (born 1951), greater is known as Jam, was as soon as the legendary in-house producer and engineer at SST Info in Los Angeles–the designate primarily based in 1978 by Greg Ginn as a automotive for Gloomy Flag, the band that spearheaded the metropolis’s hardcore punk motion. Between 1979 and 1985, Jam recorded, mixed, produced or co-produced most of SST’s pivotal acts, engaged on all of Gloomy Flag’s most tantalizing files, and on traditional albums by the Minutemen, Meat Puppets, the Misfits, Husker Du, Saint Vitus, Descendents, Minor Likelihood, Colossal Boys and The Dicks. As this volume unearths, it appears that Jam was as soon as additionally a grasp photographer, who recorded the many subcultures of Los Angeles in intelligently composed sad-and-white photos. Jam photographed the circles around Gloomy Flag, the Germs, the Mentors and the Minutemen, moreover as the very early days of skilled skateboarding and Los Angeles seashore culture. Spanning the behind 1960s thru the early 1980s, “Sounds of Two Eyes Opening “provides an well-behaved portrait of Southern California’s seashore lifestyles, assign in opposition to the dusky clubs and rehearsal spaces of the hardcore punk scene. Jam landed in Hermosa Seaside, CA in the mid-Seventies. A severe musician, he helped receive Media Art work Recording Studio and stumbled into photojournalism by job of “Easy Reader,” the local files weekly. Hermosa proved to be a crossroads abounding with oddball curler skaters who had been principally overshadowed by Venice disco rollers and the Dogtown-inspired leaps into skilled skateboarding (in no arrangement mind that the first skateboard competition ever was as soon as in Hermosa in 1963). Then, in the behind 70s, a cultural shift hit, fueled largely by tune. This time the South Bay was as soon as in the forefront. Jam grew to become the in-house producer and engineer at SST Info–the designate primarily based in 1978 by Greg Ginn as a automotive for Gloomy Flag, the band that defined LA hardcore. Between 1979 and 1985, he recorded, mixed, produced or co-produced most of SST’s pivotal acts, engaged on all of Gloomy Flag’s most tantalizing releases, and on traditional albums by the Minutemen, Meat Puppets, Saint Vitus, Descendents, Colossal Boys, Husker Du, The Dicks, Subhumans and Misfits. At some stage in this duration, Jam remained a grasp photographer who documented somewhat heaps of Los Angeles subcultures in intelligently composed sad-and-white photos. As this volume unearths, there was as soon as no distinction between the musical and the visible–he heard what he seen; seen what he heard–hence, the title of this series. Spanning the behind 1960s thru the early 1980s, “Sounds of Two Eyes Opening” provides an well-behaved portrait of Southern California seashore lifestyles, assign in opposition to the dusky clubs and rehearsal spaces of the burgeoning punk scene. | |
| Product Identifiers | |
| ISBN-10 | 1938265106 |
| ISBN-13 | 9781938265105 |
| eBay Product ID (ePID) | 177563505 |
| Key Minute print | |
| Quantity Of Pages | 276 pages |
| Structure | Hardcover |
| Newsletter Date | 2014-10-31 |
| Language | English |
| Publisher | Sinecure Books, LLC |
| Newsletter Year | 2014 |
| Additional Minute print | |
| Copyright Date | 2014 |
| Illustrated | Yes |
| Dimensions | |
| Weight | 0 Oz19459027] |
| Width | 8.2 In. |
| Length | 10.8 In. |
| Classification Plot | |
| LCCN | 2014-906338 |
| LC Classification Quantity | TR659.8S657 2014 |
| Contributors | |
| Edited by | Johan Kugelberg |
| Introduction by | Ryan Richardson |
| Photographed by | Jam |
| Critiques | |
| Amongst the photos are recognizable faces and moments. And in the scenes of pure abandonment – of skaters throughout a hand plant, or temporarily airborne; of smoke and sweat visibly emanating from a crowded level to – Jam’s images if reality be told feel nearly audible, stout of noise and freedom, what it would must non-public felt desire to were there. | |
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